What Are We Doing and Where Have We Been?

The authors at Vintage City Publishing get lots of questions like, “Where do you get your ideas?” and “How do you come up with such interesting characters?” and “When are you guys going to pay your bar tab?”

But the most common question is, “What are you working on now?”

We thought we would put the question to our current stable of writers and see what they’ve accomplished in 2021, and maybe a sneak peek at what they have planned for 2022 and beyond. So without further ado…

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Maybe Today

“Hellerman Retirement Home.”

The name is on the front of the building and printed on the stationary provided to the residents. Stationary most of them don’t use. Why bother? No one answers.

You wrote letters when you first arrived. Your children didn’t respond. They said,

“No one writes letters anymore. People text or email.”

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Review of “Woman: An Intimate Geography” by Natalie Angier – Nick DeWolf

This review is going to start with an anecdote. Yes, this is an inherently self-centered way of writing, but I can’t think of a better example of what this book can mean.
I live in a metropolitan area which is relatively progressive. I was reading this book on my way home from work, while riding the subway. A man took the seat next to me and we rode in silence, me reading, him doing his own thing. As we went, I could see him taking peeks. I adjusted my position, to allow him just a bit more access to the page, hoping it inspired him to find his own copy.
The train began to slow, and he gathered his things. In a friendly voice, he said, “so, what is that, an instruction guide or something?”

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My Brief Fling With Hollywood

Maybe I’m wrong, but I think just about every writer has the dream of seeing their work adapted for television or the movies. Or anywhere, really, where our work will get exposed to a wider audience.

I’ve always thought my book, AUTUMN MOON, would make a great television series. Or at the very least, a movie (with options for sequels, of course).

It was about two years ago when I came across a Facebook post from a friend.

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HOW TO GET REVIEWS OF YOUR BOOKS!

But not, like, a bazillion. Because let’s be honest, if I knew that, I’d be too busy filling a private pool with dollar bills and diving in. And if you happen to already be one of those lucky authors who has thousands of reviews on Amazon and Goodreads, A – this post is not for you and B – please tell me your secrets, including which dark lord you made a sacrifice to and what said sacrifice was. I’d love to know. For research purposes.

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Anatomy of an Ending

There is a popular sentiment that stories, like life, are about the journey, not the ending. I think good fiction has to differentiate itself from life, so stories are about the journey and the ending.

Maybe I’m hopelessly morbid, but I think about death all the time. I know I’m not the only one, but how I’m going to check out is constantly on my mind. It doesn’t frighten me or stop me from living, but like a good story, I do want to know how it all ends. Like reading a good story, though, I’m not eager to get there. It’s a paradox. I don’t want it to end.

You can stop psychoanalyzing me now.

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Interview With Author Timothy Johnson

1. What made you want to be a writer?

It was probably a mixture of narcissism, masochism, and the right teacher in the right class telling me I had potential in something when I felt I had potential in nothing but had to decide what I was going to do for the rest of my life. 

I took a creative writing class in college when I didn’t have a major, and when I started writing, I thought I was brilliant. At the time, I had been writing songs, so it seemed natural that I’d become a poet (because that’s a practical decision in this world). Then I was in a room with friends who literally laughed at my work, and I realized I wasn’t good.

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Let the Hate Flow Through You…

**DISCLAIMER: There will be no more Star Wars references going forward**

There is a place in the world for the bad…

So it was about ten years ago. Maybe more. Wait, how old are my kids? Good lord, I’m old.

Okay, it was more than ten years ago, but not quite twenty, and I was younger and energetic and doing a lot of theater. Primarily an actor, I also did lighting and directing and dance. Writing had been limited to short plays for children, so no experience with real, full-on adult drama. Still, I knew what I loved about theater; the art, the precision, the work ethic. Creating great product was more important than making dollars. I was passionate, and part of being passionate is working on thoughtful, interesting, insightful works which are seen by a handful of people, yet touch each of them deeply.

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On Jonathan Franzen’s Rules for Novelists

In November, Lithub republished a list of ten rules for novelists by Jonathan Franzen that had originally appeared in the Guardian in 2010. It apparently raised a stink on the Internet. Reading the list now, I see why it was divisive. Some of his rules are obvious. Some are preposterous or pretentious. Overall, it’s just not a helpful list.

All of this is in my humble opinion, of course (this is my blog after all). Franzen has accomplished far more in his writing career than I probably ever will, but I see reflections of some broader issues in the literary community here that I feel the need to comment on.

To be clear, this isn’t really about Franzen’s list. This is about the impetus of some of his ideas. And admittedly, it probably reveals more about my own philosophies than Franzen’s, so take it for what it’s worth

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